Place of birth
Date of arrival to Britain
About
Romesh Gunesekera is a Sri Lankan British writer best known for his short stories and novels. Born in Colombo in 1954, he spent his childhood and adolescence in Sri Lanka (then Ceylon) and the Philippines, before moving to Britain in 1971. He studied philosophy at the University of Liverpool.
Gunesekera came to prominence in the 1980s as a writer of short stories, which were published in Stand magazine, London Magazine and Granta. He also wrote poetry, published in the London Review of Books, Poetry Durham and other magazines. He has been regularly featured in Wasafiri: The Magazine of International Contemporary Writing. His first collection of short stories, Monkfish Moon, was published in 1992 by Granta and featured as a New York Times Notable Book of 1993.
In 1994 his debut novel, Reef, was short-listed for the Booker Prize and the Guardian Fiction Prize and won the Yorkshire Post Best First Work Award in 1995. In 1998 he published The Sandglass, for which he won the BBC Asia Award for Achievement in Writing and Literature. In 2002 he switched publishers and his next novels, Heaven’s Edge (2002), The Match (2006), The Prisoner of Paradise (2012) and Suncatcher (2019), shortlisted for the Jhalak Prize, were published by Bloomsbury. He published Noontide Toll, a series of interlinked short stories focused on the aftermath of Sri Lanka’s civil war and the 2004 tsunami, with Granta in 2014.
He was elected Fellow of the Royal Society of Literature in 2004 and served on its Council from 2009 to 2013. He has judged several literary prizes, including the Caine Prize for African Writing, David Cohen Literature Prize, Forward Prize for Poetry, Commonwealth Short Story Prize, International Booker Prize and Wasafiri Queen Mary New Writing Prize.
Monkfish Moon (London: Granta, 1992)
Reef (London: Granta, 1994)
The Sandglass (London: Granta, 1998)
Heaven’s Edge (London: Bloomsbury, 2002)
The Match (London: Bloomsbury, 2006)
The Prisoner of Paradise (London: Bloomsbury, 2012)
Noontide Toll (London: Granta, 2014)
Suncatcher (London: Bloomsbury, 2019)
‘The Tablet: A Modern Seance with Aldous Huxley', in Susheila Nasta and Rukhsana Yasmin (eds) Brave New Words (London: Myriad Editions, 2019), pp. 35–51
Daimari, Esther, 'Landscape in Romesh Gunesekera’s Reef, The Sandglass, and Heaven’s Edge', South Asian Review 38.2 (2017), pp. 49–64
Davis, Rocío G., '"We Are All Artists of Our Lives": A Conversation with Romesh Gunesekera', Miscelánea: A Journal of English and American Studies 18 (1997), pp. 43–54
Deckard, Sharae, Paradise Discourse, Imperialism, and Globalization: Exploiting Eden (New York: Routledge, 2009)
Lavery, Charne, 'Outsides and Outsiders: Environmental Critique in Leonard Woolf’s The Village in the Jungle and Romesh Gunesekera’s Reef', The Journal of Commonwealth Literature 50.1 (2015), pp. 87–98
Nasta, Susheila, Home Truths: Fictions of the South Asian Diaspora in Britain (Houndmills, Basingstoke: Palgrave, 2002)
Nasta Susheila, '"An Island Is a World": One to One with Romesh Gunesekera', Wasafiri 34.4 (2019), pp. 75–80
Salgado, Minoli, Writing Sri Lanka: Literature, Resistance and the Politics of Place (London: Routledge, 2007)
Spencer, Robert, 'The World, the Text and the Cricket: Romesh Gunesekera’s The Match', Journal of Postcolonial Writing 52.3 (2016), pp. 274–86
South Asian Diaspora Arts Archive, https://sadaa.co.uk/archive/literature/romesh-gunesekera
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Thurston Hopkins/Picture Post/Hulton Archives via Getty Images
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© Remaking Britain: South Asian Connections and Networks, 1930s – present